

There are pendants. And then there are pendants that make you stop mid-sentence. This is the second kind. At the top, a hand-cut glass sunflower with yellow petals that catch light the way only glass can: differently every time you move. At its centre, deep red glass burns like the heart of a late summer bloom. Dense ghungroos and geometric danglers flank the sunflower on both sides. A small silver ring, almost invisible, connects the sunflower to what comes next. Just below the connector sits a turquoise stone. The colour of still water, of something cool placed deliberately between two things that burn. And then: the heart. Maroon glass, deep and saturated, set into a heart-shaped dangler that carries the pendant's warmth downward — from the sunflower's yellow and red, through the turquoise pause, into something that feels more personal. Around the heart, another dense fringe of ghungroos and geometric danglers complete the pendant's symmetry. This is the pendant that will never exist again in exactly this form. The glass is hand-cut. The silver is vintage. The combination of sunflower, turquoise, and heart in a single piece is, genuinely (not as a marketing word), ra
A mood, an occasion, a feeling, matched to real, wearable pieces from independent Indian brands.